CLASSICAL OPUS no.80

Wolfgang Amadeus Mozart – “Symphony no.40, 1st movement in G minor”

ヴォルフガング・アマデウス・モーツァルト – 「交響曲第40番、第1楽章のGマイナー」

 

TIME COMMITMENT: 31 minutes

Originally composed in separate segments, this zenith of 18th century orchestration relies on dynamic crescendos, unpredictable emotionalism of the home key (G minor) and head-on confrontation between competing melodies.  Canonical and totemic in its closing euphoria, it remains potent as ever.

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/Symphony_No._40_(Mozart)

 

A REFLECTION

A splendid night it was . . . .

In the clear moonlight we were loath to go to bed,

But at last drunkenness overtook us;

And we laid ourselves down on the empty mountain,

The earth for pillow, and the great heaven for coverlet.

 

Li Po: “A Mountain Revelry”

Published in: on October 11, 2018 at 4:49 pm  Comments (1)  

CLASSICAL OPUS no.81

Miklos Rozsa: “Piano Sonata in A Minor”

ミクロス・ローザ – 「ピアノ・ソナタ・イン・Aマイナー」

 

TIME COMMITMENT: 6 minutes

This monochromatic and elegant sonata appears alternatively contemplative and cosmopolitan.  More directly lyrical than the other Hungarian greats of the past century, Rozsa is too often derided for his Hollywood scores.  He may, indeed, be bathing us in traditionalist tonality, but his romantic flare-ups are bold, honest and somewhat irreverent.

 

MUSIC

 

INFO

https://www.cbcmusic.ca/posts/12261/forgotten-works-of-miklos-rozsa

https://www.commentarymagazine.com/articles/the-double-life-of-miklos-rozsa/

 

A REFLECTION

I think it rains

That tongues may loosen from the parch

Uncleave roof-tops of

the mouth, hang

Heavy with knowledge

 

Wole Soyinka: “I Think It Rains”

Published in: on October 10, 2018 at 5:14 pm  Leave a Comment  

CLASSICAL OPUS no.82

Edward Elgar – “Pomp And Circumstances No. 1 In D Major”

エドワード・ エルガー – 「華やかさと環境・第1 ・ D・メジャー」

 

TIME COMMITMENT: 8 minutes

This unashamedly bombast march is so declamatory, almost cantankerous!  Of course, large-scale ensembles predated this composer – whether in choral works or in Wagnerian operas.  But Elgar suffused such traditions with solo virtuosity and sumptuous, though never fastidious, orchestration.  In a classic case of re-purposing the theme, it is highly ironic that the work of this Catholic author is now considered “patriotic” in the UK and referred to as ‘a graduation song’ in the US.  But then, some Japanese youngsters tend to believe that their national anthem is a ‘sumo song’ just because it is played at the opening and close of wrestling tournaments.

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/Pomp_and_Circumstance_Marches

 

A REFLECTION

I believe in those wing’d purposes,

And acknowledge red, yellow, white, playing within me,

And consider green and violet and the tufted crown intentional,

And do not call the tortoise unworthy because she is not something else,

And the jay in the woods never studied the gamut, yet trills pretty well to me,

And the look of the bay mare shames silliness out of me.

 

Walt Whitman: “Song of Myself XIII”

 

Published in: on October 9, 2018 at 5:14 pm  Leave a Comment  

CLASSICAL OPUS no.83

Robert Schumann – “Kinderszenen, op.15”

ロバートシューマン –  「子供の情景、オーパス15番」

 

TIME COMMITMENT: 18 minutes

This ultimate miniaturist was frequently inspired by literature.  In this vignette, he was evidently seeking  – and finding – humor, adventure, quest for the unusual, yet he appears to be diving into the inward reaches of an adult, rather than children’s, life.  The “Scenes” are crafty, perfectly rounded between dissolute shrapnels and more nimble passages.  To this day, musicologists discuss the significance of the unusual tempo changes.  Was Schumann’s metronome really broken?

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/Kinderszenen

 

A REFLECTION

Hush, be still. Outer space

Is a concept, not a place.

Try no more. Where we are

Never can be sky or star.

From prison, in a prison, we fly;

There’s no way into the sky.

 

C.S.Lewis: “Science-Fiction Cradlesong”

Published in: on October 8, 2018 at 5:02 pm  Leave a Comment  

CLASSICAL OPUS no.84

Gioachino Rossini: “La gazza ladra”

ジョアキーノ・ロッシーニ – 「カサ泥棒」

 

TIME COMMITMENT: 9 minutes

The plumpish bard of lower classes painted in stark, fauvist hues of opera buffa.  The indefatigable creator of ludic songs preferred tunes that were anthemic, but also zestful and danceable, playfully evoking bygone minuets.  I added here a second version, despite the tinny recording quality.  After all, it’s conducted by maestro Toscanini.

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/La_gazza_ladra

 

A REFLECTION

Each of us bears the imprint

Of a friend met along the way;

In each the trace of each.

For good or evil

In wisdom or in folly

 

Primo Levi: “To My Friends”

 

Published in: on October 7, 2018 at 1:41 pm  Leave a Comment  

CLASSICAL OPUS no.85

Josef Matthias Hauer – “Zwölftonspiel für Klavier”

ヨセフ・マティアス・ハウアー – 「12音色のピアノ演奏」

 

TIME COMMITMENT: 4 minutes

Hauer’s hesitant, halting permutations doggedly evade tonality by breaking through the molded walls of chromatic scales.  Like an ephemeral cluster of raindrops, this soliloquy warbles mostly in the middle-key range.  If CPE Bach demanded that consonances be played softly, here they flee as if embarrassed by their own obsolescence.

 

MUSIC

 

INFO

Josef Matthias Hauer – Das Zwölftonspiel

 

A REFLECTION

Something pale wakes up in a suffocating room.

The eyes

of the stony old woman

shine, two moons.

 

Georg Trakl “Birth”

Published in: on October 6, 2018 at 3:53 pm  Leave a Comment  

CLASSICAL OPUS no.86

Bedrich Smetana: “Die Moldau” (Vltava)

ベッドジー スメタナ – 「モルダーウ」(ヴィルタヴァ)

 

TIME COMMITMENT: 14 minutes

The eminently romantic format of a symphonic poem wonderfully echoes the national aspirations of the 1860s.  Smetana paints in watercolor that is sober, but never austere.  Voracious for our attention, the pieces moves us with the elasticity of the title’s great river.

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/M%C3%A1_vlast

 

A REFLECTION

Wildly here, without control,

Nature reigns and rules the whole;

In that sober pensive mood,

Dearest to the feeling soul,

She plants the forest, pours the flood.

 

Robert Burns: “Verses on Castle Gordon”

 

Published in: on October 5, 2018 at 5:20 pm  Leave a Comment  

CLASSICAL OPUS no.87

Claude Debussy: “Golliwogg’s Cakewalk”

クロード・ドビュッシー:「ゴリウォークのケークウォーク」

 

TIME COMMITMENT: 3 minutes

Debussy (and Satie) apparently heard ragtime at 1900 Paris Exposition, courtesy John Phiilp Sousa’s syncopated marches.  Debussy flashes here figments of a gypsy rag, letting it jolt and thump.  Apparently the 2nd video captures the sound re-enacted from the composer’s original 1913 paper roll recording.

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/Children%27s_Corner

 

A REFLECTION

K for the Klondyke, a Country of Gold,

Where the winters are often excessively cold;

Where the lawn every morning is covered with rime,

And skating continues for years at a time.

Do you think that a Climate can conquer the grit

Of the Sons of the West? Not a bit! Not a bit!

 

Hilaire Belloc: “From a Moral Alphabet”

Published in: on October 4, 2018 at 5:22 pm  Leave a Comment  

CLASSICAL OPUS no.88

George Gershwin: “Porgy and Bess”

ジョージガーシュイン:「ポーギーとベス」

 

TIME COMMITMENT: 22 minutes

The composer’s dedication to kinetic leitmotifs is subverted here with the nonchalance of the continent’s heatwaves.  Gershwin incorporates extemporization, ragtime and jazzy phrasing on an orchestral scale but delivers this ratatouille with an emphatically theatrical lethargy.

The classic ballad celebrates warmer days and is reprised in the second video by Kronos Quartet (from the 9th minute).  Alas, their strident statement makes use of a distinctively Texan vocabulary, extinguished by heroin overdose in 1970.

 

MUSIC

 

 

INFO

https://en.wikipedia.org/wiki/Porgy_and_Bess

 

A REFLECTION

The wild bee reels from bough to bough

With his furry coat and his gauzy wing.

Now in a lily-cup, and now

Setting a jacinth bell a-swing,

In his wandering;

Sit closer love: it was here I trow

I made that vow.

 

Oscar Wilde: “Her Voice”

Published in: on October 3, 2018 at 5:17 pm  Leave a Comment  

CLASSICAL OPUS no.89

Karol Szymanowski – “Violin Concerto no.1”

カロル  シマノウスキ – 「ヴァイオリン協奏曲第1番」

 

TIME COMMITMENT: 30 minutes

With pre-dawn intensity, the concerto radiates with a promise of therapeutic metamorphosis.  Inebriated with the lyricism of the composer’s native flatlands, the narrative is lightly disturbed, but never saturated with soloing ornamentation.  But this could be attributable to Penderecki, il direttore in the performance presented here, who blunts the piercing romantic formalism and brings to the fore the unity between the violin and the orchestra.

 

MUSIC

 

INFO

https://en.wikipedia.org/wiki/Violin_Concerto_No._1_(Szymanowski)

 

A REFLECTION

A pity. We were such a good

And loving invention.

An aeroplane made from a man and wife.

Wings and everything.

We hovered a little above the earth.

 

We even flew a little.

 

Yehuda Amichai: “A Pity”

Published in: on October 2, 2018 at 4:15 pm  Leave a Comment